What speaks to me in his work is how he creates austere spaces that are filled with the history and nature surrounding them. Most of his designs belong in non-urban environments, it seems, because that's where their minimalism isn't drowned out by the architectural noise of the city. The simplicity of buildings such as the hotel spa in Vals or the Sogn Benedetg chapel in Sumvitg strikes me as both essentially Swiss and Japanese.
The chapel also reminds me of vernacular architecture here in the Ozarks. Zumthor made it part of its landscape the same way Fay Jones put his Thorncrown Chapel on that hillside outside of Eureka Springs--using the materials, the light, and the stories of a place each architect was/is deeply familiar with.

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